_1734674814.png)
Contemporary Art
_1734674405.png)
Contemporary Art
_1734673651.png)
Visual Art
Visual Art
_1734672599.png)
Contemporary Scottish Artist
_1734672308.png)
Contemporary Scottish Artist
_1734671737.png)
Contemporary Scottish Artist
_1734671240.png)
Contemporary Scottish Artist
_1734616086.png)
Conceptual Art
_1734615503.png)
Conceptual Art
_1734615371.png)
Conceptual Art
_1734614568.png)
Conceptual Art
_1734678943.png)
55921
55921
_1734681015.png)
55921
_1734682276.png)
55921
_1734682798.png)
55921
_1734683363.png)
55804
_1734687066.png)
55804
_1734687431.png)
55804
_1734688204.png)
55804
Namaste Henry Moore, 2019
Namaste Henry Moore (2019), “namaste” meaning a respectful greeting, is just above 70 inches in height; unlike the large scale of Virus or the “mirrors,” the “Intermediaries” vary from around waist height to a little above head height, always remaining related to the viewers’ own verticality and stature. On top of Namaste Henry Moore’s circular concrete column, resting on a brass section plinth is a composite female figurine and other partial objects standing on and reflected in the smooth horizontal surface. An elephant head, askew on a narrow trunk of clay, is positioned next to and above the female figure.
_1734688706.png)
55804
_1734689376.png)
55804
_1734689667.png)
55804
Homelands: Art From Bangladesh, India And Pakistan
Nikhil Chopra performs Rouge, a durational live action drawing of a large scale landscape in lipstick, an everyday cosmetic material, often associated with femininity and sensuality. Chopra often uses quotidian mediums to explore themes such as identity, nationality and gender. Following the performance Nikhil Chopra will be in conversation with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern.
_1734690218.png)
55804
_1734690414.png)
55804
_1734691163.png)
55804
_1734691371.png)
55804
_1734691764.png)
55804
_1734692129.png)
55804
_1734692508.png)
55804
_1734677854.png)
55921
_1734678536.png)
55921
_1734677498.png)
55921
_1734596248.png)
55804
I Want To Sing My Heart Out In Praise Of Life, 2009
Cover image is illustrational and does not represent the work itself. This is an unsigned and unnumbered print, issued by the Matsumoto City Museum of Art, Matsumoto.
_1734596917.png)
55804
Self Portrait, 2010
Cover image is illustrational and does not represent the work itself. This work was produced in collaboration with the Matsumoto City Museum of Art, Japan, and is stamped with the museum and artist's name on the reverse.Additional condition and detail images are available upon request. Please reach out to specialist@artsy.net for further details.This work is sold by a professional seller and ships from DC, United States. The estimates listed below are subject to change due to fluctuations in shipping costs, final hammer price, delivery destination, and additional services (i.e. installation). Purchases shipped internationally may be subject to additional fees. You can learn more about shipping here.
_1734601257.png)
55804
_1734601996.png)
55804
Pumpkin (2), 1990
A vibrant print featuring Yayoi Kusama's iconic Pumpkin motif. Listed in the catalogue raisonné by ABE Publishing Inc. p. 94.
_1734602400.png)
55918
_1734602938.png)
55918
_1734603365.png)
55918
Carracci Flower, 2021
Jeff Koons, along with seven other leading international artists, were asked to create a print to celebrate Tate Modern’s 21st anniversary. A third of the profits from the sale of each print will benefit Tate.With his print for Tate 21 Koons continues his dialogue with classical artists of the past, in this instance with the Italian painter Annibale Carracci (1560–1609), one the most admired artist of his time and a vital force in the creation of Baroque style.Derived from one of Carracci's series of erotic etchings known as the Lascivie and delineated in silver foil is a partial image of a female nude figure and her companion. Intertwined with this line is a flowing, looping ribbon of celebratory blue foil, a colour similar in hue to the blue glass balls that adorn Koon's recent Gazing Balls. At times the silver foil catches the light from a certain directions, bringing the female figure into sharp relief, while at others the two foil lines combine with the dreamy background landscape to offer a more sensory abstract experience.
_1734603787.png)
55918
_1734604169.png)
55918
The Currency Unique Print (H11-663), 2022
These 1,000 unique prints offer an extraordinary perspective on Damien Hirst’s groundbreaking The Currency collection. Launched in 2021, The Currency was Hirst’s first NFT project, consisting of 10,000 artworks that could exist as either physical pieces or NFTs, but not both. Collectors were faced with a pivotal decision: keep the NFT or redeem it for the physical artwork, with the unchosen medium being destroyed. In a bold and defining move, Hirst chose to retain 1,000 of these works as NFTs, permanently burning their physical counterparts. To this day, Damien Hirst owns these 1,000 NFTs, underscoring their unique place in his artistic legacy.These exclusive prints are based on those 1,000 burned works, created using extremely high-resolution images that capture intricate, close-up details of the original painted pieces. Each print is completely unique, offering a stunning new perspective on The Currency. Hand-numbered and hand-signed by Damien Hirst on the front, these prints stand as a testament to the artist’s exploration of value, ownership, and the evolving relationship between digital and physical art.
55918
55918
55918
Forever (Large) (H8-3), 2020
Signed in black felt-tip pen and numbered 423/1449 (printed) on the label affixed to the reverse, published by HENI Productions, London in collaboration with Fondazione Prada, Milan.Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)Property Subject to Artist's Resale Right (see Conditions of Sale for further information)
55918
H9-4 Politeness (The Virtues), 2021
signed in pencil, and numbered from the edition of 1549 on the justification label verso, Published by Heni Productions, London, the full sheet, overall 1200 x 960mm (47 1/4 x 37 3/4in)Please Note: This lot is sold subject to Artist's Resale Right, details of which can be found in our Terms and Conditions.
55935
55935
Muldenberg, 2001
In 2007, Peter Doig (b. 1959) became a household name when his painting “White Canoe” sold for $11.3 million at auction, setting the record at the time for the highest auction price by a living European artist. And if that number sounds surprising, his paintings continue to surpass that record; most recently in November 2021, when "Swamped" sold for $39.8 million at auction.Sales records aside, by the age of 50, Doig had major retrospectives at the Tate Britain, the Paris Museum of Modern Art, and the Montreal Museum of Fine Art. Needless to say, he is an artist with major international acclaim.Created in 2001, Peter Doig's 100 Years Ago series encapsulates the artist’s recurring exploration of memory, nostalgia, and the realm between reality and imagination. Comprised of eight etchings, this series reconstructs the past through fragmented memories, drawing inspiration from eclectic ephemera.
55935
Imaginary Boys, 2013
Property Subject to Artist's Resale Right (see Conditions of Sale for further information)Dimensions:S. 86 x 63.5 cm (33 7/8 x 25 in.)Signed, dated and numbered 463/500 in pencil, published by The Scottish National Gallery, Edinburgh, framed.
55935
Alice At Boscoe's (D2-3), 2023
framed 104 x 136 cm (40 7/8 x 53 1/2 in.)Signed, dated and numbered 102/250 in pencil (there were also 25 artist's proofs), published by HENI Editions, London, contained in the original artist's specified oak frame.Property Subject to Artist's Resale Right (see Conditions of Sale for further information)
55940
55940
55804
55804
Cezanne, 2021
Pigment print on cardboard // Albert Oehlen’s Cezanne (2021) is a pigment print on cardboard that showcases his distinctive abstract style with a figurative twist. The piece features a sketch-like figure rendered in fluid, expressive black and gray brushstrokes, giving it a spontaneous and almost dreamlike quality.The figure appears to move through a loosely defined natural setting, with gestural lines suggesting trees, branches, and an open space around them. The monochromatic palette and the unrefined brushwork evoke an introspective atmosphere, reminiscent of Cézanne's explorations of form and landscape but interpreted through Oehlen’s modern, abstract lens. This work exemplifies Oehlen’s ability to merge figuration with abstraction, capturing an essence of movement and environment with minimal detail.
_1734675264.png)
55804
_1734675542.png)
55804
Screenprint, 1989
German artists Albert Oehlen and Georg Herold collaborated on an edition of prints following their three-person exhibition at the Renaissance Society in 1989 with Christopher Wool. The image of a woman’s hand lifting a small frame to reveal a print in process was drawn by the artists from the cover of a silk-screening kit which they purchased in a Chicago arts and crafts shop. The collaboration appealed to both artists’ methodologies as an appropriative process. It also incorporated caviar – which Herold was using as a painting material at the time – into the ink.
